International Art Competitions - art contest for artists

Virtual Reality & Arts Festival

Deadline: 9 February 2020

VRHAM! Virtual Reality & Arts Festival Hamburg is the first international Virtual Reality & Arts Festival. Since its first edition in 2018 VRHAM! has established itself as an important date in the international VR art scene. The festival is a platform for extraordinary national and international artists who are literally exploring new dimension via the unique medium of Virtual Reality. From 5 to 13 June 2020 VRHAM!’s third edition will take place at Hamburg’s Oberhafenquartier.
For the 2020 program VRHAM! is looking for the most innovative artistic VR experiences.


We accept artistic Virtual, Augmented and Mixed Reality projects. Whether it is installations, 360° films, performances or interactive works – we are interested in new narratives, unconventional approaches and unusual artistic positions as well as your idea for the physical presentation of your project. Submit your work from 5 December – 2019 until 9 February 2020.


No entry fee

Prizes:
5,000,- Euros


Details:
https://www.vrham.de/en/

Feminist Art festival 2020

Deadline: 27 January 2020

For more than twenty years Studio XX has been producing HTMlles, a feminist festival of media arts and digital culture. The festival has established itself as a socially-engaged space, addressing an urgent current issue with each edition. Every two years, HTMlles mobilizes local, national and international artists, theorists, and activists working at the intersection of art and technology, and unfolds in artist-run centres, cultural spaces, and university research laboratories throughout Montreal.


The next edition of the HTMlles Festival will take place in 2020, 10 years before the fixed deadline set by the IPCC for implementing major changes that will limit global warming to 1.5 ˚C (1). In the meantime, public discourse about “crisis,” “cataclysm,” or even “apocalypse,” feeds the collective imagination, leading to an increasing sense of eco-anxiety.


HTMlles is looking for projects that are freely articulated around these environmental, temporal and/or relational issues. These could be critical and creative proposals, inspired by (but not limited to) eco-feminisms, cyber-feminisms, queer studies, Afro-futurist, Sino-futurist and futurist indigenous movements, cli-fi, hopepunk and solar punk, deconstructing greenwashing and whitewashing.

HTMlles welcomes proposals from artists, curators and activists who identify as women, trans, gender non-conforming, and queer, as well as from collectives and organizations that promote inclusive and intersectional feminist values.

We are looking for DIY, techno-critical, and innovative proposals. We hope that the projects proposed within the framework of this call will express, rethink, and explore topics related to the environmental crisis through a critical use of media arts and digital tools.

Examples of media / formats: Virtual reality, videos, installations, IRL or URL performances, video game art, networked works, round tables, conferences, workshops, bio art, 3D animation, augmented reality, public interventions, geolocated media – or something so cutting-edge we haven’t even heard of it yet…


No entry fee

Details:
https://studioxx.org/en/activities/htmlles-2020-call-for-proposals/

Open call for electronic art

Deadline: 14 January 2020

Since 2000 FILE is a non-profit cultural organization that has been promoting exhibitions, workshops and gatherings that seek to investigate the appropriations of the technologic media in artistic accomplishments. With annual exhibitions in São, in addition to participations in national and international events, FILE is the biggest electronic art event in Latin America. For 2020, artists and researchers can submit their works in the main categories: Interactive Art, Digital Language, Electronic Sonority, Workshops, Symposium and Led Show.

Each participant may send up to 3 proposals of works that have been accomplished in the last 3 years

Categories:
Digital Language: As digital language are understood all the research and experiences in the wide scope of the multiple disciplines that uses digital media.
Electronic Sonority: As electronic sonority are understood all research and experiences in the wide scope of sounds, having therefore a wider comprehension than the ambit of music, and open to possible transversalities with other disciplines.
Interactive Arts: As interactive arts are understood all research and experiences in the ambit of art that uses interactive media and which take into account the relationship between the work and its viewer; works inserted in the intersecting fields of art and science, technology, among others …
Led Show: “In situ” installations, of public character, to be displayed in LED facade of the FIESP-SP building
Symposium: Talk proposals that have the aim to expand an international discussion on electronic digital culture in its interdisciplinary extension.
Workshop: Projects that has the main purpose of transferring knowledge and also the research on the use of computing – and other technological languages – for creative purposes


No entry fee


Details:
https://file.org.br/highlight/opencall_file2020/

Open call for videoart

Deadline:1 October 2019

The Culture and Arts  Association in Dammam support the creativity and cultural thought; by choosing the means to spread the culture of fine arts, and promote generations to participate in the arts programms, which is the cultural duty; to enrich the fine art movement, especially “video art”, which is rarely found in galleries of plastic arts in the Kingdom.

  This initiative was an opportunity for Saudi Arabia; Gulf and arab countries and the world to research and develop the visual aesthetics that deserve to be presented for video art.


Video duration does not be more than 10 minutes and must be produced during the years from 2017 to 2019.

participant can present  2 videos as maximum.

Forum accepts video art ; animation, cartoons, interactive works and virtual reality.

No entry fee


Details:
https://www.videoartforum.com/copy-of-terms-conditions

Open call for 360 VR films

Deadline: September 16th 2019

VR Stories is a pitching session where creators and/or producers have 5′ to present VR narrative contents projects. The projects presented at the pitch must not have been shot yet. Project selection will favor projects which use innovative languages to face the question of narration in VR. The pitch will be in English and does not include any Q/A time at the end of the presentation. Following the pitch session pitchers may have one-to-one meetings with decision makers present at the session who are interested in the projects. On request, images, videos and texts may be shown during the 5′.

Available format: 360 VR, Immersive VR, Interactive VR
• The submitted project film should NOT EXCEED 30 minutes in duration
• The submitted project MUST have English subtitles embedded on the film if the dialogues are spoken in a language other than English


However Torino Short Film Market will provide lodging for 2 nights and a free accreditation to a single representative for each selected project.


entry fee 
10 € until August 26th 2019 (15 € until September 16th) for each project submission

Details:
http://tsfm.centrodelcorto.it/en/call-2019-vr-stories-eng/

Financial support for artists

Deadline: 5 September 2019

i-Portunus is a short-term pilot project, selected and funded by the Creative Europe programme of the European Union, to trial a mobility scheme for artists and culture professionals. It is managed by a consortium headed by the Goethe-Institut with Institut français, Izolyatsia and Nida Art Colony of Vilnius Academy of Arts.

Between April and September 2019, i-Portunus will issue three Calls for Applications, providing support for international mobilities of artists active in the fields of the performing or visual arts and residing in a Creative Europe country (see list opposite). The destination of the mobility must be a Creative Europe country. These mobilities must have a specific and well-defined objective, such as to develop an international collaboration, to engage in a production-oriented residency or in professional development, to present work in another country or to develop projects with local communities in the destination country.

A first Call for Applications ran from 17th April to 15th May 2019 and resulted in over 1,200 valid applications being received. These were analysed and taken into account for the preparation of the second Call.

The second Call was issued on June 3rd 2019 and closed on June 24th. It resulted in 520 individual applications and 190 group applications covering a total of 1.141 individuals. The selected applicants will be announced on July 19th.

The third Call for Applications of this pilot programme will be launched on August 14th. It will be the last of three calls to financially support the mobility of artists and culture professionals of all ages, nationalities, educational qualifications and levels of experience, legally residing in a country participating in the Creative Europe programme choosing a cross-border mobility to a country participating in the Creative Europe programme.

Participating countries:
Albania, Armenia, Austria, Belgium, Bosnia and Herzegovina, Bulgaria, Croatia, Cyprus, Czechia, Denmark, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, Ireland, Italy, Kosovo, Latvia, Lithuania, Luxembourg, Malta, Moldova, Montenegro, Netherlands, North Macedonia, Norway, Poland, Portugal, Romania, Serbia, Slovakia, Slovenia, Spain, Sweden, Tunisia,
Ukraine, United Kingdom


No entry fee

Details:
https://www.i-portunus.eu/about-the-programme/general-information/

Workshop for artists

Deadline: 31st of July, 2019

We are a studio for digital art, design & culture based in Leipzig. Our works and programs intersect art, design, technology, science and philosophy.

For several years we create free and commissioned artistic works with sound and light in space such as installations, compositions, sounddesigns, performances and concert productions for exhibitions and live shows. Our interdisciplinary team is specialized on 3d audio, visual and interaction design. Currently we are developing a software for 3d audio live performance and studio production. As a cultural institution we host an annually growing program of artist residencies, digital art labs, workshops and events.


We are happy to announce the third edition of Wisp Laboratory, which is going to happen at Kontor80 in Leipzig from 23rd to 29th of September.
We welcome artists from across the globe to apply for this unique workshop.
From 23rd to 27th of September the participants will create concepts and set-up an exhibition/performance/concert space (e.g. 3d audio system, 360° projection, VR, light, sensors) together with the workshop hosts and have time to prepare their shows for the final presentations. In the evenings/nights of the 28th and 29th of September the results will be presented to an audience.



LOCATION
The location of the laboratory and performance nights will be in our video and audio labs in Torgauer Straße 80, Leipzig.


No entry fee 


Details:
http://wisp-kollektiv.de/2019-2

Open call for experimental video & performance

Deadline:  1 November 2019



RPM Fest is dedicated to short-form poetic, personal, experimental film, video, VR, expanded cinema and audiovisual performance. We are looking for any work that experiments with the formal possibilities or hybrid form of film, video audiovisual, animation, expanded cinema and VR under 15 minutes. RPM Fest will take place at UMass-Boston and other Boston venues on Feb. 1st & 2nd, 2020.

Categories:
1. RPM: Experimental Film & Video:
short-form poetic, personal, experimental film, video

2. Installation, Expanded Cinema, Audiovisual Performance & VR
If your work is not a single channel piece, you can submit it to this category. Please submit video documentation of your piece along with a cover letter that states your technical information. such as, computer/ software/device/ spatial arrangement, etc Please note the festival doesn't provide transportation or lodging accommodations at this time.


Entry fee:
Depends on deadline, starts from 8$


Details:
http://revolutionsperminutefest.org

Online exhibition

Deadline: 21 July 2019

STRUKTURA is a cross-disciplinary initiative for research and practice within the framework of media archeology and visual arts.
STRUKTURA. Time is looking for artists, researchers, scholars to join our online exhibition program.
STRUKTURA investigates methods of speculative temporalities and proposes alternatives for our shared futures, where time is plural, transformative and fluid. The participating scholars and artists examine the complex relationships between time and visual media, current modes of how we instrumentalize history, cultural techniques and infrastructures for temporal mediation. STRUKTURA explores ideas of a nonlinear spaces challenged by technologies, obsolescence, multiplicity of temporal regimes and synchronicity; where different places and different times intersect and coexist together. The program spans across a virtual environment and physical venues based in Oslo. It consists of public program, research lab, online exhibition and club night.
Curated by Lesia Vasylchenko.

No entry fee


Details:
https://www.facebook.com/events/340407160187839/
struktura.contact@gmail.com

Online and offline exhibition

Deadline: 31 July 2019

the wrong is the largest and most comprehensive biennale celebrating digital art today. a global event open to participation, aiming to nurture digital culture.

the wrong happens both online and offline.

the online happens in “pavilions”; virtual curated spaces in any online accessible media where selected artworks are exhibited.

the offline happens in “embassies”; institutions, art spaces, galleries and artist run spaces in cities around the world.

This Open Call invites artists to show their work in the What Do We Do Now? online Pavilion and offline Embassy, between 1 November 2019 and 1 March 2020.

For this call, we look at
energy
dataflow, optic signals,
stable systems, destabilised systems,
digital colonialism,
Imbalance, impermanence,
the intersection between the tangible and the virtual.

We are looking for works that can be shown both online and offline and that respond to some aspects of the following writing:

“Our increasingly electrified, electronic, and data-driven society places steadily rising demand on reliable baseload power - that is, on electricity available 24/7/365. Servers never sleep, nor does air conditioning during hot nights, and in Asia's megacities, subways and electric trains take only brief naps between midnight and 5 A.M.” Vaclav Smil

Crypto mining hubs are appearing in Arctic regions where energy is cheap and the ambient air temperature cools down servers. To mine the virtual pirate gold non-stop, without letting machines rest, one must consider the energy-intensive processes that occur in the background. At the other end of the continent, the southern crypto havens have been increasing their fibre internet connection speeds to attract the new digital colonial settlers and their energy consuming activities. They keep laying new underwater cables to increase connectivity, to ensure digital security and a stable growth. Crypto haven economies depend on light signals passing through a one-inch-wide fibre cable, which adds a vulnerability to the whole venture. The tangible meets the virtual in our decaying bodies. We fight against this decay with a gym membership or DIY bicycle-powered PCs. What happens to the body when we are engrossed in the virtual? Does time pass differently for our bodies when our minds are active in cyberspace? The energy consuming cyber exchange is also occurring in our bodies, where every interaction we have online slowly drains our resources. Maybe being able to upload our energy (our “self”) to the cloud is not such a bad idea, if that means that we can stop battling our physical decay?

#energy #data #crypto #cryptomining #digitalcolonialism #climatemergency #sun #sea #air #airconditioning #elements #glass #fibre #light #rust #humidity #deterioration #connectivity #body #embodiment

Send your submissions and portfolio links to
whatdowedonowww@gmail.com

No entry fee

https://thewrong.org

open call for multimedia artists

Deadline: 15 July 2019


Rencontres Internationales Paris/Berlin offers a forum for reflection and discovery dedicated to pratices of contemporary moving images. It introduces guests from all over the world: artists, filmmakers, institutions and emerging organizations, giving us a picture of an on-going creation, of new issues raised by the evolution of the production methods and ways to present new works, and of the different emerging artistic and cultural contexts.
Its programme reflects specificities and convergences of artistic practices between new cinema and contemporary art, explores emerging media art practices and their critical purposes, and create a necessary time during which points of view meet and are exchanged.
The event aims at presenting works to a broad audience, at creating circulations between different art practices and between different audiences, as well as creating new exchanges between artists, filmmakers and professionals.
It seeks to contribute to a reflection on our contemporary culture of image via a compelling programme opened to everyone.

Rencontres Internationales Paris/Berlin is supported by the City of Paris, the Regional Council of Île-de-France, the DRAC Île-de-France – Ministry of Culture, CNC – Centre national du cinéma et de l’image animée.


Major event dedicated to contemporary practices of moving image, the next Rencontres Internationales will be held in Paris in February 2020. The event offers every year a curated international programme gathering works by internationally renowned artists and filmmakers, along with works by young artists shown for the first time..

FILM, VIDEO, MULTIMEDIA
Any individual or organization can submit one or several works. The call for entries is open to cinema, video and multimedia works. There is no restriction for length nor genre. Any submission is free, regardless of geographical origins.

FILM AND VIDEO
 Video / Experimental video
 Fiction, exp. fiction / Short, middle and full length
 Documentary, exp. documentary
 Experimental film
 Animation

MULTIMEDIA, EXTENDED MEDIA
 Video installation, multimedia installation
 360° video, VR, AR, XR art
 Multimedia concert/performance

No entry fee


Details:
http://www.art-action.org/site/en/upper/call/

Maker Faire Rome

Deadline: June 24, 2019

The purpose of the “Call for Makers 2019” is to promote innovation by spreading the digital culture and developing individual and collective entrepreneurship, rewarding the best projects.

You can participate in several ways:
Projects worth exhibiting: selected applicants will be given a pre-set free booth (table + chairs) inside the exhibiting halls, strategically located so to be visited by the large audience that attend Maker Faire Rome right for the sake of discovering interesting projects.

Amazingly entertaining presentations: selected applicants will be given a free room (or a stage) to give project presentation/speech, tell a story, engage the audience in the issue they are keen to discuss.

Super cool workshops: selected applicants will be assigned a workshop area where they could hold interactive sessions and engage participants – adults and / or children – in “hands on” activities.

Performances: selected applicants will be given a free space (or a stage) for them to perform in creative, technological, robotic, musical, pyrotechnic performance.

What are we looking for:
Inventors and innovators: innovative products, prototypes, patents, research projects, startups, crowdfunding. When makers want to meet the market, they must come to Maker Faire Rome! Every year we build the future together.

Innovative craftsmen: tools and techniques for digital fabrication, from 3D printing to CNC machines, from creative woodworking and metalworking to digital techniques for fashion and design, but also high quality craft products and any process involving hand-making.

Electronics: from microcontrollers to retrocomputing, from sensors to Internet of Things, from circuit bending to hacking, from machine learning to open hardware.

Food and agriculture: innovation in food (including machines, robotics, techniques for preparation and conservation) and agriculture (agro-tech, rural innovation, automation, monitoring).

Robotics and intelligent machines: from wheel robots to animatronics, from humanoids to Goldberg machines, from artificial intelligence to industrial automation.

Health and quality of life: projects for improving life of disabled people, biomedical products, accessories for sport, projects about human body.

Art, interaction and games: projects using light, darkness, sound, music; robotic art, creative coding, musical instruments, virtual reality and interactive installations.

Science, chemistry, engineering: science exhibits and experiments, laboratories and shows for kids and adults.

Sustainability, Circular Economy, Bioeconomy, Green TECH, Smart Energy Green Building: from renewables to upcycling, from recycling of materials to repair culture, from water and environment, from green architecture and smart mobility.

Open Source: from Open Source Hardware (OSHW) to Open Design, collaboration and sharing has always been one of the key points of maker movement

Large-scale projects: innovative or playful, static or moving, sculptural or technologic, giant projets are always the great attraction that visitors always remember.

FabLab & Community: maker laboratories, gathering places for experimentation, maker groups and communities about technologies and creativity.

Spaceflight and its applications: ideas, technologies and prototypes for a more valuable exploitation on ground and in flight of space environment benefits and for a more effective, both human and robotic, exploration of the Solar System

Projects about this year’s topic: future belongs to everyone, innovation (when open, inclusive, bottom-up) is the only way for a better world.

…and then drones, bicycles, projects for cultural heritage, photography, security and any other topic not listed here.


No entry fee

Details:
https://2019.makerfairerome.eu/en/call-for-makers-en/

 Contemporary Art Biennale 

Deadline: 31 October 2019

The third edition of the APS Mdina Cathedral Contemporary Art Biennale will deal with the relationship between spirituality and the environment, focusing on the links with the protection of the planet, all species, human or otherwise, and the notion of spirituality within this seminal debate.

In the 1960s and 70s, Malta was at the forefront of globalising this question with its radical policy on the Common Heritage of Mankind pursued by Maltese ambassador to the United Nations, Arvid Pardo, today a concept enshrined in International Law. This crucial historical fact has today been buried by the neoliberal objectives of contemporary society that exploit the planet and negate the question of the continuity of humanity's home.

Life, death, genocides, massacres, genetic engineering, globalised information technology, mass appropriation and destruction of habitats, are a reality of our modern surroundings. How are artists confronting this radical and real apocalyptic threat?

Can art play a role in this conflict between materiality and nature, and if so, what role? Is spirituality a neglected consideration, or is art still preoccupied with suprahuman matters?

 Artists are invited to propose artworks using video, sound, light, and virtual reality that engage with the above notions on the relationship between the human species and its role in generating, regenerating, or destroying its own existence on our unique planet.


Entry fee: 30 EUR


Details:
https://www.mdinabiennale.com/terms-and-conditions

Call for New Media, Film, and Video

Deadline: June 7, 2019

Frame & Frequency is an ongoing International Video Art Screening Series presented by VisArts that highlights artists whose new media, experimental film, and video works explore contemporary visual culture, and presents an intimate panorama of the variety and breadth of video art in artistic practice today

Video, sound art (up to 8 channels), film, and new media work will be accepted: experimental, documentary, animation, narrative, non-narrative, multimedia, virtual reality, augmented reality, net art, interactive media, etc.

All foreign language moving image artworks must have English subtitles.

Video/Sound Art: You may submit up to 3 works. Videos must be in .mp4 file format. Maximum length of 15 minutes. Sound Art files can be either.mp3 or .wav format.

Entry fee:
$5

Details:
https://visarts.submittable.com/submit/138429/call-for-submissions-frame-frequency-v

Art exhibition of works that include sound as a primary element

Deadline: 24 June 2019

New Adventures in Sound Art (NAISA) invites artists of all ages and nationalities to submit works on the theme Transformations for consideration in New Adventures in Sound Art’s 2020 programming.

One definition of Transformation is: a marked change in form, nature or appearance. This can be seen in the numerous changes we have been experiencing over the last 10 years in how media artists have used technological advances to create works of art that reflect the transformation of our planet, human experience, social changes, ecological changes caused by overextended use of natural resources, and have e ven changed how we experience art. This also applies just as much to media artists who are using old technologies in new ways to transform the use and/or perception of how art is experienced.

For its 2020 programming, NAISA is interested in submissions of work that address the ideas related to the theme Transformations and creative ways that this theme can be explored. Preference in programming will be given to works that respond in some way to the theme Transformations. Individual interpretations or variations on the theme are encouraged, but should be realized with sound as the primary component. NAISA would also like to encourage artists to submit works on the theme for performance, interactive installation exhibit, audio-visual screening, radio or internet broadcast, telematics, VR/gaming, mobile experiences and any other emerging or alternative formats that include sound as a primary element.

Entry fee:
$5

All works chosen for presentation will receive an artist fee.

Details:
https://naisa.ca/naisa-general-submission-form/

Deadline: April 30, 2019

MORPHOS is a one of a kind digital dome artist-in-residence program that provides workshops and individual support for artists who want to take their work to the immersive level. Our goal is to expose and train artists in full immersion production for a growing need of digital dome (fulldome) art. 2018 welcomes our fifth year of hosting this unique experience. Come join us for MORPHOS Dome artist-in-residence for an experience of a lifetime held September 27 – November 4, 2019 in Colorado.

MORPHOS digital dome artist-in-residence program is for artists interested in experimenting and exploring 360° immersive digital art through digital dome. Artists will receive hands-on training in techniques for fulldome and Virtual Reality, weekly dome time, individual consultation, production support, group outings, a group closing dinner, and public presentations of their experience at the end of the residency. MORPHOS artists have gone on to present at international dome conferences, festivals, and art shows.

5 days of 360 Digital Dome and VR Workshops (for full list, see here)
3 hours per week one-on-one consulting with individual dome time to test concepts,
Local dome artist group meetings and support
Group outings
Use of rendering machine and spherical live action capture equipment
Two public presentations – Fort Collins’ Digital Dome and Boulder’sFiske Planetarium
Online recognition and social media exposure
End of the residency dinner celebration
Certificate of Completion
Chance for your work to be part of the MORPHOS Best of Reel
Alumni benefitsEligible to apply to the Society of Art and Technology Dome Artist in residence
Highlighted on the DATA website
Return following years for support trade dome hours

SCHOLARSHIP
New for 2019, ALL ACCEPTED ARTISTS and covered by SPONSORSHIP!
Sponsorship includes registration fee and housing (a $3,500 value).
We present artists application packages to sponsors and sponsors choose the artist they would like to represent their brand.

Costs
Artist: travel and equipment or other art supplies as needed for the proposed project.

Details:
https://www.denverartstech.org/morphos/morphos-digital-dome-artist-in-residence/

Deadline: 31 March 2019

NTAA's mission is to expand the scope of temporary artistic creations and traditional media with works using contemporary and new technologies in an original and intelligent way: treatment of sounds and light, use of new media, application of innovative evolutions in communications, telecommunications and broadcasting, centered on the world of information, communication, and computers and interaction. These descriptions are in no way restrictive and should be interpreted in the broadest way possible.

This international competition is open to all age groups and to all nationalities. Artists can present their candidacy for one art work less than two years old at the time of its submission, but which may already have been exhibited. English is the working language.

There is no artist fee. Free accommodation for the artists is available at Zebrastraat.

 Costs related to transport, accommodation and technical realization are reimbursed by the Liedts-Meesen Foundation.

The 20 projects selected by the jury will be rendered public at the website in June 2019.

No entry fee

Prize:
A cash award of 5,000 EUR will be allocated to a work and its creator.

Details:
https://www.e-flux.com/announcements/212620/call-for-entriesntaa-19/

Deadline: 3 February 2019

Share Festival, the Italian exhibition of contemporary tech art and science, with the Artistic Direction of Bruce Sterling announces the opening of the call.
The theme of the Share Prize XII edition is: GHOSTS

Our international Jury will select six candidates for the award, who will be invited to take part in the exhibition, which will take place in Turin in May 2019.


The competition is dedicated to artists that use contemporary tech society, in all its shapes and forms,
and in combination with analogue technologies and other materials, as a language for creative
expression. The competition is open to both Italian and foreign artists. Each artist, or artist collective,
can enter a maximum of three works. Artists that are part of collectives may choose to enter the
competition individually, with a maximum of three works.

Prize:
Euro 2,500

No entry fee

Details:
https://www.toshareproject.it/en/share-prize-ghosts/

Deadline: 28 November 2018

Frame & Frequency 4 Vol. 2 is an ongoing International Video and Sound Art Exchange program presented concurrently at VisArts in our In(Site) Project Gallery in Rockville, MD and at PLECTO Galeria in Medellín, Colombia, opening December 7, 2018.

Video, sound art (up to 8 channels), film, and new media work will be accepted: experimental, documentary, animation, narrative, non-narrative, multimedia, virtual reality, augmented reality, net art, interactive media, etc.

Entry fee: $5

Details:
https://www.visartscenter.org/frame-frequency/